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  • genetanta 000 on 000 Permalink | Reply
    Tags: bravado, empathy and tolerance, formal alarm, life for life’s sake, the future, the new   

    Manifestos-R-Us: The Possibility of Possibility

Participants:

    Gene Tanta, Vanessa Place, Snežana Žabić, Amy King, Tasha Marren



    I hope my event will change some minds and hearts about the received categories through which we usually experience the new. This event will challenge readers and listeners to reconsider received ideas about our association of the new as the good. Out of this discomfort, I hope empathy and tolerance grow since these practices have never been more needed than now, which of course is forever and in the future. 


    
The manifesto moment came and went in a blinding flash of bravado just about a century ago. Much given to mimesis, the manifesto wanted to show that not only art for art’s sake was possible, but that life for life’s sake was also possible. Why divide art from life? Who benefits by these divisions of labor? A little later, Walter Benjamin wondered: what is the new without the question of freedom but mere fashion? What kinds of writing become possible after we stop trying to “make it the new”? How do you imagine your freedom?


    
I want to invite participants to use the has-been manifesto form to tell/show/perform the has-been idea of “make it new”? These brief statements of formal alarm will guide, convince, and convert us to the possibility of possibility in writing today. How can we imagine an affirmative postmodernism in the literary arts? What is your vision for the poetic future or for the future of poetry? How does the tone of the manifesto itself (us versus them) speak to the perpetual crises of form sparked by the death of the agent?

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  • genetanta 000 on 000 Permalink | Reply
    Tags: corporate imagination, dreaming, moral progress, the future, the possible   

    We is a word that gives you meaning

    Is the possible even still possible today? I don’t even know what you mean! Not as dream, but as practice. To demonstrate the contradictions of Liberal Democratic capitalism, we occupy space and serve as an amplification organ. The beautiful social mess of the People’s Mic permits individual voices to heckle the authority of self expression. We call and respond to the future. We are a high school clique following our leader because she knows how to butter our bread. We are here because we want new words that will set us free from the limits set upon us by corporate imaginations. We is a word that gives our identity a filigree border, without which we don’t even know what you mean. I don’t even know what you mean! We is a word that gives you meaning. Americans with “fuck you” money live in their “fuck you” houses up on the “fuck you” hill. Nonetheless, we may be the most utopian category of all. A blind faith in moral progress is the elephant in every stanza you enter. We question our fashionable obsession with the new because it distracts us from our role in alms-justice. Community is not something you can opt in or out of like some wise barbarian. The commons is inside of you expressing itself through every choice you make or refuse to make. We will not go primitive nor fall through the trapdoor of dreaming. We demand the possible, now!

     
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